Presents a series of optical illustions and explains what is seen.

"A quarter of a century after her first book, Thinking in Pictures, forever changed how the world understood autism, Temple Grandin-the "anthropologist from Mars," as Oliver Sacks dubbed her-transforms our understanding of the different ways our brains are wired. Visual thinkers constitute a far greater proportion of the population than previously understood, she reveals, and a more varied one, from the purest "object visualizers" like Grandin herself,...

The pavement chalk artist is a master of art, perspective, creativity and performance. Julian Beever is one such extraordinary master. More than just traditional flat drawings, the works Beever creates are uniquely three-dimensional anamorphic drawings.

"Look and look again . . . at the sense which lets us see: Sight! Award-winning authors and artists Romana Romanyshyn and Andriy Lesiv achieve a remarkable fusion of a far-reaching scientific and historical exploration of the phenomenon of sight with a philosophic reflection on its nature. A stunning sequence of rich infographics provoke the reader to look . . . learn . . . and think"--

A wordless picture book presents a series of scenes, each one from farther away, showing, for example, a girl playing with toys which is actually a picture on a magazine cover, which is part of a sign on a bus, and so on.

White illustrations against a black background, alternating with black illustrations against a white background, depicting objects such as an elephant, butterfly, leaf, horse, baby bottle, and sailboat.

A series of views of one landscape is seen from progressively higher vantage points, beginning with a view of the sidewalk as seen by a kneeling child and ending outside our galaxy.

The reader views photographs of familiar objects, first through cut-out holes, then in their entirety.

An urgent, erudite, and practical book that redefines literacy to embrace how we think and communicate now We live in a world that is awash in visual storytelling. The recent technological revolutions in video recording, editing, and distribution are more akin to the development of movable type than any other such revolution in the last five hundred years. And yet we are not popularly cognizant of or conversant with visual storytelling's grammar,...